Posted in Editing & Critiquing, General Writing, tagged Brenda Ueland, constructive criticism, criticism, critique, Editing & Critiquing, If You Want to Write, manuscript, praise, sandwich method, The Road to Writing, Virginia Ripple on April 23, 2011 |
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In honor of Easter weekend, I decided to “resurrect” an old post. Giving an honest critique can be difficult, but even more so is giving an honest critique that actually helps the writer improve his or her writing. The following is one method I like to use that is simple and useful.
You’ve been asked to read a friend’s manuscript. After dutifully plowing through 100 pages of less-than-perfect, sometimes entertaining, but often difficult to understand prose you’re left with one question: how do you tell your friend her manuscript needs a lot of work?
Unless you really don’t care about hurting your friend’s feelings and possibly losing a friend, this can be a very tricky situation. I know several writers who refuse to read other people’s unpublished works for just that reason. Yet, it seems crueler to me to let a friend send an unpolished manuscript out knowing you could have helped.
Read the rest here.
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Posted in Editing & Critiquing, General Writing, tagged book, creating characters, drama, escalating conflict, Hooked, inciting incident, Les Edgerton, story, The Road to Writing, Thelma and Louise, Virginia Ripple, writer, writing on April 9, 2011 |
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I am not a fan of drama. However, against my better judgement, I took the advice Les Edgerton gives in Hooked and rented Thelma & Louise in order to learn about how to create a “proper” inciting incident and the resulting escalating conflicts.
I wish I could say the movie pleasantly surprised me, but it didn’t. It was exactly as I figured it would be. Yes, it has a powerful ending. Yes, the real inciting incident isn’t what most people think it is. No, I didn’t find the story riveting or the conflict keeping me glued to the screen, though I did watch the whole movie out of respect for the cast, crew and Les (and to get my $3.50′s worth).
I can say that I learned something from the movie, though it’s not exactly what Les probably meant to be learned. In the case of Thelma & Louise, and most other dramas I’ve read/watched, the inciting incident is the first in a string of bad decisions in which each bad decision is decidedly worse than the last. If you truly care about the characters, this would indeed be conflict for the reader as well as the characters. If… and that’s a big if.
Life is drama. I don’t need to see it played out on the big screen or read about it in a book. For me, simply being human in an unpleasant situation is not enough. Therefore, characters like Thelma or Louise only irritate me. They make bad decision after bad decision, never stopping to consider the consequences or the other characters in their lives. That is not entertainment. That is a train wreck.
The problem for writers arises in trying to create characters readers will connect with. Escalating conflict isn’t enough. If your reader doesn’t care about what happens to your character, then she may be cheering for the character’s demise by the end of the book. (I was by Season 5 Episode 22 of Buffy the Vampire Slayer.)
So what’s a writer to do? Here are 6 links that can help you create characters your readers will fall in love with:
- T is for Terrific: 4 Ways to Create Minor Characters
- 5 Questions About Characters’ Desires
- Checklist of 17 Character Qualities
- Holy Rusted Metal, Batman, I’m A Sidekick!
- How We Write Wednesdays: Making Characters Realistic–YOUR Way
- Let your MC succeed while they’re failing – the power of reward
What do you think? Does a chain of bad decisions make a great story or do you need to fall in love with the characters first?
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